"You don’t need to be serious,
You don’t need to be a walrus.
You don’t need to be nervous,
You don’t need to be an eggman."
If you were
reading Melody Maker in 1992, chances are you own a Shonen Knife record. This
gloriously kooky Japanese buzzpop trio were on every page. Everett True would
be eulogising about the Knife from the mosh pit of some pub gig in Camden. While
Kurt Cobain would be going giddy over them in a centre page spread. And so it was
off to Rough Trade to dig through the import section to finally hear what they actually
sounded like.
Melody Maker
was always great at making you feel connected to a musical ‘scene’ – from ‘Eskimos’
and ‘blonde’, to the ‘new wave of new wave’ and 'alt-country'. Even if those
scenes were primarily limited to its readership, lasted about two months, and
you only knew one other other person who had even heard of them in your
day-to-day life.
Yes, for this
reason alone, we need Melody Maker back. Right now. Who knows how many other wonderful Japanese buzzpop trios we’re missing out on in its absence.
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