"Apply the heat that gently turns,
My sickness in to health."
Not all goths
are created equal. According to Howard. Picture Howard as the Elder Goth. One
who sires other fledgling goths. Like in those vampire shows. Howard was always talked about
in revered tones by kids in the years above me at school. And teachers would
say to me, "Oh you must know Howard, he’s a goth too".
Can’t
remember how or where I finally met him. But in the summer of 1988, Howard used to turn
up at my front door every couple of weeks. Under cover of darkness, of course.
Head to toe in black. And always with a tape for me. Usually something by Clan
of Xymox or Cindytalk. Fully approved goth bands to his ears.
On Howard’s sliding
scale of gothdom, I was a mere demi-goth. I had made the cardinal sin of listening
to Fields of the Nephilim, which knocked off loads of goth points, apparently.
But I clawed some back by owning most everything on 4AD at the time – though I never
quite understood what was so ‘goth’ about that label, as the majority of their
bands seemed more influenced by the Velvet Underground and Tim Buckley.
We quickly
fell out of touch after that summer. Finding Belinda Carlisle in my record
collection was probably the final insult to Howard's pure-bred gothic sensibilities.
I like to think he’s still sitting on his throne of molten Nephilim albums, seeding plans for the next gothic uprising. If he’s been reading this
blog, somehow I don’t think I’ll be invited.
Spotify linky:
P.S. Wonderfully tactile sleeve. Those tape strips have a glorious shine and texture.
ReplyDeleteP.P.S. Miss 'Rapido' - essential BBC2 tea-time viewing for us indie types in the late '80s.
ReplyDelete